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War of the Worlds

"LightAct's support was incredibly responsive."

Steve Jackson

Video Systems Designer

In this bold retelling of H.G. Wells’ classic, British theatre company imitating the dog combines live performance with high-end digital “wizardry.” The production functions as a live movie-making process where four performers use cameras, miniature environments, and model worlds to construct an epic road movie in real-time.

War of the Worlds ITD Production Photo (3). Photo by Ed Waring

The production requires a robust, low-latency media server capable of handling multiple live camera feeds, high-frame-rate pre-recorded content, and complex signal routing—all while maintaining the reliability needed for a heavy touring schedule across the UK and Europe.

War of the Worlds ITD Production Photo (5). Photo by Ed Waring

Technical Architecture

Steve Jackson, Video Systems Designer on this show, used a custom-built media server ecosystem optimized for LightAct. To ensure “show-must-go-on” reliability, the system operates in a Primary and Backup configuration.

The show includes 4 camera feeds constantly dynamically switching and dozens of cues on a timeline, all controlled with incoming DMX.

Central to the “live cinema” aesthetic is the integration of four live cameras that capture the actors and miniature models.

These live feeds are processed within the media server, allowing the designers to mix live “location” shots with digital backgrounds and pre-recorded elements instantly.

Info & Credits

Show:
War of the Worlds
Written and Directed by:
Pete Brooks and Andrew Quick
Projection and Video Designs:
Simon Wainwright
Set and Costume Design:
Abby Clarke
Lighting Design:
Andrew Crofts
Composer and Co-Sound Design:
James Hamilton
Co-Sound Design & Technician:
Rory Howson
Video Associate:
Davi Callanan
Casting Director:
Ellie Collyer-Bristow CDG
Production Manager:
Matt Carnazza
Company Stage Manager:
Helen Fagelman
Design & Production Assistant:
Faith To
Video Systems Designer:
Steve Jackson
Production Placement:
Dorian Ralston
Sound Technician and Operator:
Rob Roberts
Touring Technical Manager:
Sam McCarthy Robinson

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